Tim O'Reilly agrees with you:
https://www.oreilly.com/content/piracy-is-progressive-taxati...
Interesting. This seems to be the licensing equivalent of "Piracy is Progressive Taxation", which is an angle on software licensing I hadn't considered before (and it should have, since these are copyright licenses, and similar popularity-based dynamics regarding violation of norms ought not to be surprising):
https://www.oreilly.com/content/piracy-is-progressive-taxati...
Tim O'Reilly wrote a post in 2002 titled "Piracy is Progressive Taxation"[0]. Basically, the conclusion he came to after analyzing the data is that on average, piracy stimulates demand enough for net gain in sales for publishers, but it isn't distributed evenly: works in the fat head (eg. bestsellers, blockbusters, etc.) see a very small net loss (ie. for the most popular content piracy may displace sales a bit), but for everyone else it is a net gain, and the gain is bigger the less popular the content is.
[0] https://www.oreilly.com/content/piracy-is-progressive-taxati...
For what it's worth, Tim O'Reilly notes, in "Piracy is progressive taxation"[0], that:
>> Obscurity is a far greater threat to authors and creative artists than piracy.
[0]: https://www.oreilly.com/content/piracy-is-progressive-taxati...
But I will note that you are (by using the framing of "stealing") implying that piracy results in lost sales, which is largely not the case, except possibly for the most popular works. See "Piracy is Progressive Taxation":
https://www.oreilly.com/content/piracy-is-progressive-taxati...